“Lucky Strike was like our kitchen,” Dafoe says. Its owner, Keith McNally, was once the proprietor of Lucky Strike, a downtown bistro around the corner from the Wooster Group Performing Garage. He has been nominated for an Oscar three times, each for best supporting actor: first in 1986 for Platoon, then in 2000 for Shadow of the Vampire, and most recently in 2017 for The Florida Project.įor Dafoe, Morandi is both convenient and sentimental. Even as he continues to work with contemporaries like Abel Ferrara and Paul Schrader, Dafoe has been embraced by some of the new century’s most original and disparate filmmakers, from Wes Anderson to Lars von Trier to Sean Baker. A., Oliver Stone’s Platoon, Alan Parker’s Mississippi Burning, and David Lynch’s Wild at Heart. In 1980, Kathryn Bigelow cast Dafoe as the leader of an outlaw biker gang in her debut feature, The Loveless, and a series of reputation-making roles quickly followed: in William Friedkin’s To Live and Die in L. Together with the Kitchen, Max’s Kansas City, and CBGB, they would help to shape a cultural moment that is now the subject of as much fascination as fin de siècle Paris or Weimar Berlin. MARC HOMīorn in Appleton, Wisconsin, Dafoe left the University of Wisconsin-Milwaukee for New York in 1977-the year of the blackout, the “Son of Sam” killings, and the wholesale arson of the Bronx-and fell in with an avant-garde theater collective soon to become the Wooster Group. Coat and shirt by Prada Trousers by Louis Vuitton Shoes by Armando Cabral.
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